The work examines cultural constructions of cuteness through a deliberately twisted lens—infusing vulgarity, sentimentality, and ambiguity into a visual language that resists conventional appeal. With a taste for subversion, each image teeters between humor and discomfort, challenging the viewer’s assumptions of charm. Positioned between design logic and painterly instinct, the process draws heavily on internal monologue and passing absurdities. Grotesque cinema, fringe idol culture, and kitsch aesthetics feed into an ongoing interest in the tensions between taste and taboo. Technically precise yet conceptually unruly, the approach recalls influences such as Makoto Aida and Antonio Lopez Garcia.